Whispering with my ink
This is the writer's task: to make sense of the senseless, to find order in disorder, to create something eternal from the ephemeral.

I sit at my desk, a weathered oak companion that has borne witness to countless nights of furious scribbling and contemplative silence. The table lamp with its jaundiced yellow arc casts a warm glow, illuminating the scattered papers and dog-eared books that form a labyrinth around me. This is my sanctuary, my confessional booth, where I commune with the ghosts of my past and future and give shape to those fleeting thoughts which are always jostling for attention inside me
Virginia Woolf talked about writing as getting into a rhythm. "I am writing to a rhythm and not to a plot." And she was right. I sometimes write on paper, using a pen like those old days. Especially on nights when I want to explore the thoughts that are not quite baked. Otherwise its the trusted keyboard. So. indeed, the rhythm of my pen scratching against paper or the soft punch of keys syncs with the memories that pulse through my veins. Each word I commit is a step deeper into the corridors of my conscience, where echoes of laughter and whispers of regret intermingle.
I close my eyes, and suddenly I'm seven again, perched on my mother's knee as she weaves tales of a country I've never seen but feel in my bones. The scent of cardamom and cloves fills my nostrils, as vivid now as it was then. "We tell ourselves stories in order to live." But I wonder, do we write to live, or do we live to write? The line blurs as I excavate my memories, each sentence a shovel digging deeper into the sediment of my experiences. I unearth fragments: my father's calloused hands as he taught me to tie a fisherman's knot, my mother's lilting laugh on summer evenings, the weight of my first heartbreak sitting heavy in my chest.
Writing is not unlike archaeology. We brush away the dust of time, to reveal artefacts of our past selves. Some days, the dig is fruitful, and words flow like water from a spring. Other days, it's a struggle, each word painfully extracted like a stubborn tooth.
I glance at the photographs on my desk – a collage of memories interspersed in frames unknown from time. "Tell my story," they demand. And so I do, weaving together the fragments, filling in the gaps with the thread of imagination.
"There is no greater agony than bearing an untold story inside you." I feel that agony, that urgency to translate the whispers of memory into something tangible, something that will outlast my fleeting existence. It's a battle against time, against forgetting, against the inevitable fading of all things. And as night deepens, the ghosts of my semi-conscious state grow bolder. They peer over my shoulder, their breath cool on my neck. I welcome them, these spectral muses. They are not intruders but collaborators, co-authors in this memoir of the soul.
I write of joy – the exhilaration of my first kiss, the warmth of sun-baked sand between my toes, the taste of my mother's apple pie on Thanksgiving mornings. But I also confront the shadows – the sharp sting of betrayal, the hollow ache of loss, the suffocating weight of failure.
For what is memory if not a chiaroscuro of Caravaggio's brushwork.
James Baldwin wrote, "You think your pain and your heartbreak are unprecedented in the history of the world, but then you read." I write to join that grand conversation across time and space, to add my voice to the chorus of human experience. Perhaps, somewhere, someone will read these words and feel less alone.
As dawn breaks, painting the sky in hues of pink and gold, I set down my pen. The ghosts of hubris retreat to the corners of the room, sated for now. I look at the pages before me – smudged, crossed-out, alive with possibility. They are more than just words on paper; they are a map of my inner landscape, a testament to the journeys I've taken without ever leaving this room.
I am exhausted but exhilarated. For in this act of writing, of remembering, of creating, there is profound intimacy – not just with those who have gone before, but with myself. I know that tomorrow I will return again, ready to dive once more into the depths of memory, to wrestle with ghosts, to find meaning in the chaos of existence.
For this is the writer's task: to make sense of the senseless, to find order in disorder, to create something eternal from the ephemeral. And in doing so, perhaps we can better understand not just our own lives, but the vast, interconnected unknown which is the totality of human experience.
About Me:
I write 'cos words are fun. More about me here. Follow @hackrlife on X